Beethoven’s “Heroic” symphony transformed the genre. It was more massive, ambitious, and innovative than any music that had been written before. In many ways, it represents the turning point from classical to romantic music. Heroism, despair, mourning and triumph are just some of the emotions represented in a piece that uses rhythm and a driving force as an equal partner to melody. Reflecting on “Eroica,” Leonard Bernstein marveled at “the mysterious genius of a man who is capable of uniting all contradictions into one single, perfect entity.” 

A special tribute to the heroes in healthcare, education, transportation, food service, social work, and emergency services who worked so hard to improve our lives these last two years. Program to be announced from the stage

American Composer Missy Mazzoli, writing about her piece, These Worlds in Us, noted that “we accumulate worlds of intense memory within us.” Mozart must have had a headful of memories when he completed his clarinet concerto in 1791, a couple months before he died. It pairs grace and gravity in equal measure, with the clarinet hinting at a sense of sadness behind its beauty. In the summer of 1873, Brahms recalled a tune he had heard a few years before, attributed to Haydn, and composed his lovely variations based on it.