Festival Orchestra

George Lucas, Steven Spielberg, and Harrison Ford might get most of the credit for what many consider “the greatest adventure film ever made,” but the score by John Williams also ranks as one of cinema’s most amazing achievements. At every moment, the music immerses the audience in the adventure, from the instantly recognizable main theme, to specific music for nearly every scene, including “Marion’s Theme,” “The Map Room: Dawn,” “Bad Dates,” “The Well of the Souls,” and “Desert Chase.” Enjoy this classic film from the Pavilion–where a screen will be hung above the orchestra–or on the lawn with the new Big Screen and upgraded sound system.

Benjamin Britten wrote some gorgeous music to cover the set changes in his popular opera Peter Grimes, and the resulting Four Sea Interludes open this program. They reflect not only physical changes in scene (from land to sea, for example) but also the drama taking place among the opera’s characters. The organ makes an incredibly dramatic entrance in the final movement of Camille Saint-Saёns’s Symphony No. 3, and it’s well worth the wait. The catchy theme that follows might sound familiar, especially if you’ve seen the movie Babe, wherein it supports the little pig’s triumph.

The Music Festival’s 40th Anniversary Season concludes with two blockbusters of the classical repertoire. Garrick Ohlsson handles the Herculean piano role in Rachmaninoff’s Rhapsody on a Theme of Paganini. At times nearly thundering and demonic, at other times sweetly lyrical and romantic, many consider this Rachmaninoff’s finest work for piano and orchestra. It’s hard to imagine any piece following it, but Respighi’s Pines of Rome is up to the challenge. Taking us along a geographic tour of Rome, the piece concludes with a triumphant Roman legion marching home along the Appian Way. The Pavilion will tremble under the audience’s feet!